Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene prepares for one of biggest ballroom events of the year: The Alexander Ball.
Movements of resistance are collapsed and woven together. These are gestures that meditate on the carceral nature of the reservation system, and where sovereignty and belligerence intersect and diverge.
A woman vigilantly trails the cops who pick her friend up after a night out. She doesn’t know where they are taking her, but she knows she will not become a victim.